T E X T S | ||||||||||
Essay by Martin Herbert | ||||||||||
E D U C A T I O N | ||||||||||
2007 | M.F.A. Goldsmiths, London (Previously gained an MA from the Royal College of Art). | |||||||||
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S O L O S H O W S | ||||||||||
2021 | KATABASIS, Feldbuschwiesner Gallery, Berlin, Germany | |||||||||
2017 | SOLO SHOW, Feldbuschwiesner Gallery, Berlin, Germany | |||||||||
2015 | THE IMPOSSIBLE HEAP, Feldbuschwiesner Gallery, Berlin, Germany | |||||||||
2013 | TENDER FOLDS, Feldbuschwiesner Gallery, Berlin, Germany | |||||||||
2012 | NEW PAINTINGS, Carslaw St* Lukes, London, Catalogue | |||||||||
2010 | MATERSATZ, Madder 139 Gallery, London. | |||||||||
VOLTA NY 2010, solo presentation, Madder 139 Gallery, USA. | ||||||||||
2008 | NEW WORKS, Natalia Goldin Gallery, Stockholm, Sweden. | |||||||||
2005 | THE NAUGHTY PUPPIES, Firstsite contemporary, Colchester, UK. | |||||||||
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M I X E D S H O W S | ||||||||||
2023 | THE TEARDROP EXPLODES,Collection of Wolfgang Schoppmann. Museum Villa Jauss e.V Fuggerstraße 7 87561 Oberstdorf. Germany July--October. |
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WUNDERSAME WELTEN. Von René Magritte bis Daniel Richter. Collection of Anna und Michael Haas, Berlin. Museum im Kleihues-Bau Stuttgarter Straße 93 70806 Kornwestheim. May-September. |
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SMAC BERLIN 2 Person Show with Michael Samuels. Project Space, Linienstraße 57 10119 Berlin. September. Curator, Michael Samuels. |
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BELANTI ANIMA-MUNDI Gallery, Cornwall, UK. Online from 1/5 – 9/6/23 | ||||||||||
2021 | JOHN MOORES Painting Prize, Walker Art Gallery, Liverpool. |
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2020 | CRYSTALS PLUS, Curator Enno Wallis, POLARRAUM HAMBURG, Heussweg 89 20225 Hamburg, Germany. |
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2019 | FEELING CALLED LOVE, Collection of an Idiot, Die Sammlung Wolfgang Schoppmann,.Kunstmuseum Bochum, Bochum, Germany. |
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CLOUD, METEOR AND STAR, Car Drde Gallerie, IT-40122, Bologne, Italy. |
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WONDEROUS WORLDS, Gallerie Michael Hass, 106 Berlin, Germany. | ||||||||||
2018 | DAS LIED DER DINGE, Museum fur Aktuelle Kunst - Sammlung Hurrle Durbach, Almstrasse 49, D-77770 Durbach, Germany. |
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NGORONGORO 2. Lehderstrasse 34 Berlin, Germany. | ||||||||||
BLACK BOX. KulturBäckerei, Dorette-von-Stern-Str. 2. 21337 Lüneburg, Germany. |
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DOING IDENTITY. Die Sammlung Reydan Weiss.Kunstmuseum Bochum, Bochum, Germany. | ||||||||||
2017 | PURIFICATION. Washington-186 @ Aeroplastics, 186 rue Washington, B-1050 Brussels. | |||||||||
SUMMER EXHIBITION. Feldbusch Wiesner Rudolph Gallery, Berlin, Germany. | ||||||||||
PAINTING XX MALERINNENNETZWERK Berlin - Leipzig Und Geladene Kunstlerinnen. Sparkassenstiftung Lüneburg, Dorette-von-Stern-Straße 2. 21337 Lüneburg. | ||||||||||
SO IT GROWS, Collection Swagemakers, Centraal Museum. Utrecht. 27 January – 7th May. Curator, Edwin Jacobs. Catalogue | ||||||||||
2016 | MY ABSTRACT WORLD, ME Collectors Room Berlin / Olbricht Foundation. Auguststrasse 68, 10117 Berlin, Germany. |
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MODELS AND MATERIALITIES Curator Frances Woodley, BAYART gallery, Cardiff, UK. |
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I PREFER LIFE, Reydan Weiss Collection. Curators, Wolfgang Schoppmann, Peter Friese & Guido Boulboullé,, Weserburg Museum of Modern Art, 25th anniversary, Bremen, Germany. |
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THE ABJECT OBJECT,Curator Geraint Evans, Wimbledon Space, UAL, London. |
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2015 | ||||||||||
STILL LIFE, AMBIGUOUS PRACTICES, Curator, Frances Woodley, Aberystwyth University School of Art Gallery and Museum, UK. |
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IN SCHONHEIT AUFERSTEHEN, Curator, Bernd Wurlitzer, Galerie Patrick Ebensberger, Berlin. |
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ALLES WAS ICH MAG, FAST, Curators, Philip Grözinger & André Odier, Schau Fenster, Berlin. |
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2014 | THE HALLUCINATED WORLD, Painting on the Edge of Reality, Curator Marc Wellmann, Haus am Lützowplatz, Berlin. |
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100 PAINTERS OF TOMORROW, Christies Gallery & Beers Contemporary, London Art Fair. |
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FLEURSDUMAL, Lamb & Lion Gallery & Charlie Smith Gallery, London, |
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2013 | THE VIEWING ROOM, All Visual Arts Gallery, St Pancras Crypt, London. |
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PRESENT TENSE, FUTURE PERFECT, Feldbuschwiesner Gallery, Berlin, Germany. |
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2012 | WONDERFUL – HUMBOLDT, KROKODIL & POLKE, M.E. Collectors room, Berlin, Germany. |
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METAMORPHOSIS: THE TRANSFORMATION OF BEING, Curators, Joe La Placa, Wolfgang Schoppmann, All Visual Arts gallery, London. |
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UBERALL UND NIRGENDS, The Reydan Weiss Collection, Curator: karin Pernegger, Villa Jauss, Germany. | ||||||||||
EU - 27 ARTISTS | 27 COUNTRIES, Curator,Tanya Rumpff. Museum Tongerlohuys, Netherlands. | ||||||||||
2011 | A PIECE OF PAPER, Madder 139 Gallery, London, EC1. | |||||||||
MEMORIES OF THE FUTURE, curator: Wolfgang Schoppmann, La Maison Rouge, Paris, France. | ||||||||||
FOUR in PLAY, Madder 139 Gallery, London, EC1. | ||||||||||
SCHWARZ CONTEMPORARY, Berlin, Germany. | ||||||||||
VOLTA 7, Madder 139 Gallery, 2 person presentation, Basel, Switzerland. | ||||||||||
RESTLESS NATURE, Newlyn Gallery, Penzance, UK.. | ||||||||||
RESTLESS NATURE, Curators Day & Gluckman, Collyer Bristow Gallery, London. | ||||||||||
2010 | BLACK, Madder 139 Gallery, London. | |||||||||
JOHN MOORES Painting Prize, Walker Gallery, Liverpool, UK. | ||||||||||
VOLTA, N.Y. (solo) | ||||||||||
2009 | BORDERLAND, Curators Day & Gluckman, Collyer Bristow Gallery, London. | |||||||||
2008 | SALON 08, Vine Space, London. | |||||||||
ZOO ART FAIR, Natalia Goldin, Royal Academy, London. | ||||||||||
WHISPERS OF IMMORTALITY,Curator Joakim Borda, Natalia Goldin Gallery, Stockholm, Sweden. | ||||||||||
LIGHT DIVIDED, Curator Ben Austin, Louise T Blouin Foundation, London. | ||||||||||
ARTFUTURES, Bloomberg Space, London.. | ||||||||||
2007 | LAST OF THE URGENTS, Colony Project Space, Birmingham, UK. | |||||||||
THE TEARDROP EXPLODES, Curator Karin Pernegger, Stadtgalerie Schwaz, Austria. | ||||||||||
FOREIGN BODY(IES), Curator Gerard Hemsworth, White Box, New York. | ||||||||||
2006 | DEFINING THE CONTEMPORARY, Curator Andrea Tarsia, Whitechapel Gallery, London.. | |||||||||
CELESTE PAINTING PRIZE, London. | ||||||||||
2005 | ACID DROPS & SUGAR CANDY, Transition Gallery, London. | |||||||||
LONDON NOW The Art's Centre, St Petersburg, Florida, USA. | ||||||||||
2004 | JOHN MOORES Painting Prize, Walker Gallery, Liverpool, UK. | |||||||||
EASTEND ACADEMY, Curator Niru Ratnam, Whitechapel Gallery, London. | ||||||||||
C O L L E C T I O N S | ||||||||||
MURDERME Collection, Damien Hirst. UK | ||||||||||
OLBRICHT Collection, Germany. | ||||||||||
REYDAN WEISS collection, Germany. | ||||||||||
ROBIN WOODHEAD, CEO Sotheby's International. | ||||||||||
SOR RUSCHE SAMMLUNG, Thomas Rusche, Germany. | ||||||||||
HENRI SWAGEMAKERS Collection, Netherlands. | ||||||||||
HURRLE DURBACH Sammlung, Germany. | ||||||||||
ANNA und MICHAEL HAAS, Berlin. | ||||||||||
WOLFGANG SCOPPMANN, Germany. | ||||||||||
B I B L I O G R A P H Y | ||||||||||
2018 | CONTEMPORARY BRITISH PAINTING. Editor, Matt Price, Published by Anomie, Autumn 2018. |
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2015 | GQ Magazine, "15 of The Best Artists Working Today | |||||||||
2014 | Thames & Hudson, "100 Painters of Tomrrow", Selected by: Barry Schwabsky, Cecily Brown, Kurt Beers, Tony Godfrey,Yuko Hasegawa, Suzanne Hudson, Jacky Klein, Gregor Muir, Valeria Napoleone & Philip Tinari.. | |||||||||
Suddeutsche.de, Ruth Schneeberger, Schöne Hallus, böse Träume. | ||||||||||
Der Tagesspiegel, "Malerei am Rand der Wirklichkeit", Simone Reber. | ||||||||||
2012 | Contemporary Art Society "Hobson's Choice", Paul Hobson, director's favorite exhibition of the week. | |||||||||
Solo show at Carslaw St* Lukes. Catalogue text by Martin Herbert. | ||||||||||
2010 | D’Art International, “Top 10 at the 2010 New York Art Fairs”, Erin Kennedy. | |||||||||
Artist Newsletter, “John Moores 2010” Paul Cordwell. | ||||||||||
Saatchi Art News, Critics Choice. | ||||||||||
2008 | Konsten, “GL Brierley” Anders Olofsson. | |||||||||
Omkonst, “Sevärt i november” Susanna Slöör. | ||||||||||
2006 | Daily Telegraph, “Art Sales” Colin Gleadell. |
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2005 | Turps-Banana, “John Moores 23 Walker Art Gallery” Alistair Robinson. | |||||||||
St. Petersburg Times, “Art’s Modern London Bridges” Lennie Bennett. | ||||||||||
Firstsite Critical Paper, “Naughty Puppies” Martin Herbert. | ||||||||||
2004 | The Sunday Times, “The East End Academy” Waldemar Januszczak. | |||||||||
The Tmes, “A Little of What You Fancy” Rachel Campbell-johnston. | ||||||||||
The Guardian, “E..Is For Art” Caroline Roux. | ||||||||||